Piercing Brightness

Shezad Dawood, Piercing Brightness, 2012

The Glorious Eight: questions Piercing Brightness director Shezad Dawood might have been asked; answers that might have been given.

What has Shezad Dawood been reading?

On the train to Preston to shoot Piercing Brightness (PB), hauling cameras, lights, sound equipment… nevertheless, Shezad did not stint on reading material carrying as many Philip K Dick novels as he could. Seeking to embody the greatest and most prescient of timetravelling, genre-mashing writers, he sought to instil in his film the qualities of accessible otherness and narratively-fuelled speculation so beloved of the high priests of pulpparanoia.

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James King on La Pointe Courte

Agnès Varda, La Pointe Courte, 1955

Agnès Varda, La Pointe Courte, 1955

Tonight we commence our retrospective season of French New Wave pioneer Agnès Varda’s works with the director’s rarely-screened debut feature La Pointe Courte. Shot in 1954 on a tiny budget by her newly-founded filmmaking co-operative Ciné-Tamarais, Varda’s debut pre-dates the better-known works of New Wave posterboys Godard, Chabrol and Truffaut by half a decade and has been dubbed by French cinema historian Georges Sadoul as, “truly the first film of the nouvelle vague.”

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